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American influences on Japanese taiko

We’ve known KODO from the very beginning, since they were Ondekoza. When Ondekoza first came here, they didn’t know anybody and they somehow found us and so they practiced here. So it was really weird. They had a hotel – a cheap hotel – in Hollywood and of course they ran here, rehearsed, ran back, and then ran to the theatre for a performance. We’re going, “What’s the matter with you people?”

But anyway, since that time, we’ve been very, very close. And when they became KODO. So usually, when KODO comes to town, we have a potluck with them. They’re the exact opposite of us. I remember one time they said, “Our taiko is serious taiko and your taiko is fun taiko”. We took that as a compliment and I think as a result of American contact, maybe with us, I don’t know, they finally agreed to have a woman perform in their troupe, which is unheard of in Japan. Women do not play taiko. Here, it’s overwhelmingly women. The majority of any group is women because that onus is not there and I think that had an influence, an impact on them.

And the fact that they can finally smile in a piece while they’re playing, which you don’t do in Japanese performing arts. So that’s been an American influence, I think. And I think they’re much better off for it.


arts drum gender Kodo (musical group) music Ondekoza taiko

Date: December 3, 2004

Location: California, US

Interviewer: Art Hansen, Sojin Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Rev. Masao Kodani is a Sansei minister of Jodo Shinshu Buddhism and co-founder of Kinnara Taiko - the second taiko group established in the United States and the first Japanese American Buddhist group. Born in Glendale, California, Rev. Kodani was a young child when he and his family were incarcerated at Poston Relocation Center in Arizona during WWII. After his family's return toLos Angeles, they lived in a predominantly African American community near the neighborhood of Watts. Although they were Buddhist, his parents sent their children to Evergreen Baptist Church in East L.A. because they thought it would be easier for them to fit in. After graduating from Centennial High School, Reverend Kodani attended the University of California at Santa Barbara where he earned his degree in East Asian Studies. While at UC Santa Barbara, he became close with Reverend Art Takemoto of Nishi Hongwanji Buddhist Temple. Through Rev. Takemoto’s influence, Kodani traveled to Japanto study Buddhism at Ryukoku University. After his studies were completed, he returned to the United States and was assigned to the Senshin Buddhist Temple in South Central Los Angeles. In 1969, he established Kinnara Taiko with members of the temple as a Japanese American Buddhist ensemble with the objective of enjoying the Buddha-Dharma (Horaku)through the experience. Their composition, "Ashura" has become one of the most learned adapted pieces in the American taiko repertory. (December 3, 2004)

Kazuo Funai
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Kazuo Funai

Buying violin (Japanese)

(1900-2005) Issei businessman

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Seiichi Tanaka
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Seiichi Tanaka

Understanding Sansei taiko (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Seiichi Tanaka
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Seiichi Tanaka

Soukou Bayashi: Dedicated to the Issei (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Seiichi Tanaka
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Seiichi Tanaka

Handmade taiko (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Seiichi Tanaka
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Seiichi Tanaka

Taiko philosophy (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Nosuke Akiyama
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Nosuke Akiyama

Rediscovery of Japanese culture through taiko (Japanese)

Shishimai (Lion dance) and Taiko player with San Francisco Taiko Dojo.

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Etsuo Hongo
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Etsuo Hongo

The reason he came to the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

First taiko performance in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Differences in taiko style (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Originality of each taiko group (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Benefits of living in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Promoting group identity through taiko contests (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Etsuo Hongo

Taiko's sounds as Japanese cultural tradition (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Shizuko Kadoguchi
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Shizuko Kadoguchi

Strict school policy of separating boys and girls in Japan

(b.1920) Japanese Canadian Nisei. Established the Ikenobo Ikebana Society of Toronto

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Kenny Endo
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Kenny Endo

Differences between Kinnara and San Francisco Taiko Dojo

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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