Interviews

1. Going back to Hawaii

2. 1920 labor strike

3. Picture brides and karifufu

4. Racial make-up of plantation camps

5. Clothes of plantation workers

6. Surviving after father's death

7. Washing for Filipino bachelors

8. Kids working hard

9. Bombing of Pearl Harbor

10. Helping soldiers

11. Brother leaves for war, survival

12. Okinawan discrimination

13. First day of school

14. Doing chores

15. Eating cold rice

Barbara Kawakami

An expert researcher and scholar on Japanese immigrant clothing.

Going back to Hawaii

I was born in Kumamoto. Among the nine siblings, I was the only one. I mean, eight siblings, I was the only one to be born in Japan. And so, three months after I was born, my father felt that there's no place like Hawaii to bring up his children and to educate them. And I think the children missed, you know, the Hawaiian lifestyle. And because my dad went home with lot of gold and money, the relatives kept on borrowing money from him. And so he thought before he ran out of money, you know, he'd rather come back to Hawaii.

So my life started out quite unusual. We settled back on that old sugar company Camp One was called Japanese camp. And so it was right about the sugar mill, it was the hub of plantation life. All the action took place there and that's the reason why every morning, I watched the workers walk down the dirt road right in the back of our house or front of the house. And I kind of recognized the different types of clothing that they wore depending on their work.

families Hawai'i immigration migration United States

Date: February 19, 2004

Location: Hawai'i, US

Interviewer: Lisa Itagaki, Krissy Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Barbara Kawakami was born in 1921 in Okkogamura, Kumamoto, Japan, in a feudal farmhouse that had been her family’s home for more than 350 years. She was raised on the Oahu Sugar Plantation in Oahu, Hawai’i, and worked as a dressmaker and homemaker before earning her high school diploma, Bachelor of Science in Textile & Clothing, and Master of Arts in Asian Studies—after the age of 50.

In her senior year, she began to research the clothing that immigrants wore on the plantation for a term paper. Finding there was relatively little academic research in this area, Barbara embarked on a project to document and collect original plantation clothing as well as the stories behind the ingenuity of the makers. Over the course of fifteen years, Barbara recorded more than 250 interviews with aging Issei women and men and their Nisei children. She captured their lives, the struggles of immigration, and conditions working and living on the plantation. Importantly, she documented the stories behind the ingenuity of these Issei women as they slowly adapted their traditions to suit the needs of plantation life. Her knowledge of the Japanese language, having grown up on the plantation, and her extensive background as a noted dressmaker, helped many Issei women feel comfortable about sharing the untold stories of their lives as picture brides. From her extensive research, she published the first book on the topic, Japanese Immigrant Clothing in Hawai‘i 1885-1941 (University of Hawai‘i Press, 1993).

A noted storyteller, author, and historian, Barbara continues to travel to Japan as well as throughout the United States to give lectures regarding plantation life and clothing. She is widely recognized as the foremost authority on Japanese immigrant clothing and has served as a consultant to Hawaii Public Television, Waipahu Cultural Garden Park, Bishop Museum, the Japanese American National Museum, and to the movie production of Picture Bride. (February 19, 2004)