And then I have World War II postcards that depict the World War II Jap with the buck teeth and slanted eyes, yellow-skinned and their endless depiction of -- and I almost have all of 'em now. I must have about thirty or forty of 'em. And other ones that are just really foul, dogs urinating on Jap heads and things, defecating on them, and they're all these different versions. I have magazine advertisements of those same kinds of depictions, Jap hunting licenses that companies gave away, you put stamps on 'em and how many Japs you've killed. I have Slap a Jap cards that were clubs that you would join and every time you were supposed to slap the Jap that you saw. Patriotics, which were envelopes that you use with images on there that were the stereotypes of, of Japanese people, so just about anything that had to do with depictions, negative depictions of Japanese people.

And, of course, all of these things end up informing my paintings, so I've been working on a series called Stereotypes & Admonitions where I depict myself, sometimes as a samurai from a ukiyo-e woodblock print, because that refers to how people see me as the person from Japan, or as that World War II yellow peril threat, which is still that kind of eternal foreigner, but more of a threat. And so what I'll do is I'll put myself under one of those two disguises within a Western framework, so it also refers to that idea of, when you tell a white person that not a day goes by where you don't realize that you're not white, they don't understand what you mean. And that's what this refers to because it's so dramatized with these horrible depictions.