Interviews

1. We go to America (Spanish)

2. Memories of my infancy: Japanese 1, Japanese 2… (Spanish)

3. Mistreating the Japanese community (Spanish)

4. Prejudice in Japanese school (Spanish)

5. Hiding out to avoid the concentration camps (Spanish)

6. Help from fellow Japanese (Spanish)

7. Iron discipline at home (Spanish)

8. Education Japanese style (Spanish)

9. Closing the Japanese school and deportation (Spanish)

Venancio Shinki

(b. 1932-2016) Peruvian painter

Mistreating the Japanese community (Spanish)

(Spanish) A somewhat terrible situation developed terrible for those of us in the Japanese community. Why? The Peruvian government broke off diplomatic relations with Japan, and we were mistreated by our neighbors.

I was six years old and going to school; I was one of the youngest, dressed in a children’s military uniform, all dark clothes with a kepi and a shaved head. This was a rule back then, everything just so. The Second World War had not yet started; it was three years before the outbreak of the war [when] they [the Peruvians] started to bother the Japanese community. This is the saddest part of my story that I had to experience. Why do I have to run? Why do they hit me? Why do they make me cry?

discrimination interpersonal relations Peru racism

Date: September 6, 2007

Location: Lima, Peru

Interviewer: Harumi Nako

Contributed by: Asociación Peruano Japonesa (APJ)

Interviewee Bio

Venancio Shinki (born 1932 in Supe, Lima, Peru) is one of the most outstanding Peruvian painters. The son of a Japanese father (Kitsuke Shinki of Hiroshima Ken) and a Peruvian mother (Filomena Huamán), Venancio was raised on the San Nicolás hacienda in Supe, north of Lima, an area with a large concentration of Japanese immigrants in the early years. He studied at the National School of Fine Arts of Peru, and graduated with the best grade in his class in 1962.

His paintings recall Eastern, Western, and Andean traditions, with a distinctive surrealism that shows an unknown and intriguing universe, set off by a purified technique and a renovated figuration, which links Venancio with other great Latin American artists. Venancio has received many accolades and has participated in a variety of individual and group exhibits in Peru, Japan, Italy, United States, Colombia, Ecuador, Brazil, Venezuela, Panama, and Mexico, among others. In 1999, the year of the centenary marking Japanese migration to Peru, Venacio was invited to exhibit his work in the Museum of Man in Nagoya, Japan. His most recent works were displayed in November 2006 during the 34th Annual Japanese Cultural Week in Lima, Peru. He passed away in 2016. (October 2017)